In 1984, the decision was made to expand the number of writers working on the project, and the second Steve Jackson (from this point on referred to as "Steve Jackson (2)" ) was added to the roster with Scorpion Swamp, published that year.
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Jackson then produced the first book in the series with a science-fiction setting, Starship Traveller, and Livingstone the first with an urban setting, City of Thieves, as well as Deathtrap Dungeon and Island of the Lizard King.
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In 1983, Jackson produced the second Fighting Fantasy adventure, The Citadel of Chaos, and Livingstone the third, titled The Forest of Doom.
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After several rewrites, the book was accepted and published in 1982 under Penguin's children's imprint, Puffin Books.įollowing the success of the first book, Jackson and Livingstone began to produce further gamebooks, writing solo in order to make better use of their time. The Magic Quest took over a year to be accepted by Penguin Books, at which point the two creators devoted a further six months to expanding and improving upon their original design, resulting in The Warlock of Firetop Mountain, the first Fighting Fantasy gamebook. Their first submission, The Magic Quest, was a short adventure intended to demonstrate the style of game that they sought to create. In 1980, Steve Jackson and Ian Livingstone, co-founders of Games Workshop, decided to capitalise on the spreading enthusiasm for Dungeons & Dragons by creating a series of single-player gamebooks. Puffin Origins For a list of Fighting Fantasy media from Puffin, see Fighting Fantasy Collection - Puffin Books For a list of Fighting Fantasy gamebooks from Puffin, see Fighting Fantasy Gamebooks (Puffin) Later books sometimes varied this formula, allowing multiple routes to success.Ī history of the series itself was published in 2014 by Snow Books. This means that the player can only reach the end of the book by following the correct path and finding all the items (keys, gems, rings or even pieces of information) that let him or her proceed to the final confrontation. Typically, a Fighting Fantasy gamebook follows the "collect w, x and y to reach z" approach.
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That said, many of them take place in a single world known as Titan, and the three books which deal with the wizard Zagor, (namely The Warlock of Firetop Mountain, Return to Firetop Mountain and Legend of Zagor), are undoubtedly more rewarding if played in sequence, as are the books Deathtrap Dungeon, Trial of Champions and Armies of Death.įor a list of linked gamebooks, see Fighting Fantasy Gamebooks Sub-Series With the notable exception of Steve Jackson's Sorcery! miniseries, all entries in the series are stand-alone and do not assume any prior knowledge on the part of the player.
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Some later books had more than 400 sections (others less than 400), and some concealed the optimal ending somewhere in the middle of the book to make it harder for the reader to find. Most of the early books in the series had 400 of these sections, with the optimal ending being number 400. Where the page number would appear in an ordinary book, a Fighting Fantasy book gives the range of sections appearing on that page, much as some dictionaries do for the words listed on a page.
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Each page features several of these sections, each headed with its number in bold. The action in a Fighting Fantasy gamebook is split into small sections, ranging from a paragraph to a page, at the end of each of which the character usually must make a choice or roll a die. The Fighting Fantasy series distinguished itself by the use of a dice system to resolve combat and other situations, not unlike that used in Dungeons & Dragons and other role-playing games, though far simpler. The Fighting Fantasy gamebooks were similar to other interactive gamebooks that were being published at the time - most notably the Choose Your Own Adventure series – in that the reader takes control of the story's protagonist, making many choices over the course of the story and turning to different pages in order to learn the outcome of their decisions.